![]() ![]() ![]() Throw it up, tweak your mix, and the plugin already sounds great. Timeless 2 fits in a unique space because it can be a fairly straightforward plugin. Upgrade discounts are being offered to existing users, and it runs on PC and Mac in VST/AU/AAX formats. When you need even more versatility (and are willing to sacrifice a touch of simplicity to get it) an even more customizable delay like Timeless 2 can deliver. Versatility and flexibility are the first words that come to mind when I think of Timeless 2. You can download a 30-day trial version of Timeless 3 today, with a full licence costing $129/£94/€109 (bundle options with other FabFilter plugins are also available). You’ll find everything from instrument-specific treatments to spacious reverbs and more complex modulation-based special FX. With all these new features onboard, it should come as no surprise that the preset library has been rebuilt and reorganised to take advantage of them. The Time knob will set the frequency at which your sound repeats. With the Delay Time Pan ring around the knob, you can either increase the left or right channel's delay time up to 400 of the base time, which can produce a pleasing stereo effect. These can all be used as targets for Timeless’s improved modulation options, which include 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources. This is arguably the most important setting of any delay effect plugin. At the center of the interface, you set the delay time and delay options: The main Delay Time knob sets the base delay time. ![]() Whats more, its perfectly capable of more conventional time-based effects such as chorusing, phasing and more. You can also add colour to your delays with the one-knob feedback effect modules: Drive, Lo-Fi, Diffuse, Dynamics and Pitch. Timeless is a grand slam of a delay, and one that enables you to transform a signal into something entirely new and potentially unrecognisable. These can be used in series or parallel, or with three filters on each L/R channel for cross-feedback-enhanced stereo effects. ![]()
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