That expanded into this fascination with it - and love. A local photographer explained a few things and that basically developed into, “I want to do it.” I started collecting knowledge and reading books. I wanted to develop the film, because I learned that it is actually a photochemical process when it happens. He had an idea, “Okay, I’ll film something when I see something interesting, going to these villages.” Courtesy of Bojan Bazelliīazelli: He would show these pictures and, little by little, he started me on it. He would go on location for patients because it was a small town one doctor covered the whole thing. He was photographing some interesting things. The images of this thing - the moving, the light, and the projection… Then we got a Super 8 camera. My dad would get a projector and would get Super 8 copies of Stan Laurel, Oliver Hardy, and Charlie Chaplin films. I started with seeing these pictures in film and little by little my fascination with moving images started. He had a still camera and he would take some pictures. He also loved film, films, and photography. You’d see some movies there, but that was pretty much all the fun you had. There was one movie theater in my coastal, sleepy town of Montenegro, down by the Adriatic Sea. We didn’t have many things in my early days. Obviously, it was provoked by images I’d seen. “Oh, how is that even possible?” I was naively thinking of how the image gets on that thing, as a kid wondering. It was this fascination with the image that is created by this tool - by the camera - that started this. Here’s what Bazelli had to say…īelow the Line: When and how did you start to take notice of images in movies and on TV?īojan Bazelli: I started early in my teenage days, virtually earlier than that. The film puts the focus on Wendy Darling ( Ever Carradine) as she encounters Peter Pan ( Alexander Moloney), Captain Hook ( Jude Law), the Lost Boys, and Tinkerbell ( Yara Shahidi) during her adventures in Neverland. During a recent conversation with Below the Line, Bazelli recounted his earliest fascination with movie imagery, revealed that he very nearly made a fourth film with Ferrara, and took us on a deep dive into his innovative work on Peter Pan & Wendy. He graduated from film school in Prague, arrived in America, and went right to work on China Girl. The veteran DP, who hails from Montenegro, actually skipped the usually requisite Hollywood ladder climbing. Bojan Bazelli’s credits as a Cinematographer date back 36 years and include such memorable films as China Girl (his debut and the first of three collaborations with Director Abel Ferrara), Pumpkinhead, King of New York, Boxing Helena, The Ring, Hairspray, Pete’s Dragon, Underwater, and the new Disney+ movie, Peter Pan & Wendy.
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